performativity symposium

http://www.tate.org.uk/modern/eventseducation/coursesworkshops/18151.htm From speaking to gibbering, from whispering to roaring, from singi...

Adventures in " performative citations " initiated by artists Scott Kildall and Nathaniel Stern will be featured in the program of...

+ info: http://www.ica.org.uk/Talk%20Show+19466.twl

Just wanted to flag up the show at the ICA, which ends this weekend. I've added it as a link under our related links. The show and relat...

Just wanted to flag up the notion that just because the symposium is over, it doesn't mean that the discussion has to end here. I'd ...

Last night, Simon, Matthew, Susana, Lia, Veronique, Elsa and Michelle attended Ann Liv Young's The Bagwell in Me .    I took the liberty...

My dedication to the performed image stems from an interest in language and the way potential signs and symbols escape formation and remain ...

My interest in communication media derives from the fact that they "erase" physical distances and boundaries and enable affectivit...

Secrets, confessions, excavations… Over the past few days, we've had the pleasure of conversing on the topics of performance and perfom...

I must confess that I am quite fascinated with all your different backgrounds, processes and desires that fuel the practices. For me perform...

Palpable sensations Michelle, are an apt description of something I try to perform in my work both in the doing and in the viewing. To begin...

I want to confess that my body has been in hiding. I am a performer but I have been performing through others. I'm neither proud nor a...

Lia, the questions you pose about the performing (and peformativity) of an image and your earlier question regarding experience in the ‘doin...

Jillian, I think your point that performance breaks down the binary of process and product is absolutely key. I think this achievement desce...

Lia, my instinct is to respond that process is everything, which goes completely against what I said in my earlier post, that process is irr...

In the last few years I have been wrestling with the question you posed Lia.   Partly because I felt that my product could not sum up the va...

My interest in the body and performance is an enduring one. The fracturing and fragmenting of the body, the collaging and re-assemblage of i...

Susana, I had no clue that you were a serial communicator, that you spent your time constructing links with strangers. I wish I had known th...

My background is also not in performance but in Fine Art/Printmaking and my interest in performance and performativity (and my interest in m...

In response to Susana’s text, in my performance work, process is nearly irrelevant. The piece only exists when it is being watched. This i...

I have been always fascinated by artistic processes. And, in general the processes or the modus operandi are very influential in my work. Wh...